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Ramia Beladel (°1987, Marrakech, Morocco) is an artist who works in a variety of media. With a conceptual approach, Beladel tries to approach a wide scale of subjects in a multi- layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Her art works directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these experiences are framed instances that would go unnoticed in their original context. By applying abstraction, she creates intense personal moments linked by means of rules and omissions, acceptance and refusal. Her works never show the complete structure, the results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality. By examining the ambiguity and origination via retakes and variations, she tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works doesn’t reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Her work has been housed in biennials and festivals such as the Mediterranean Biennale of Contemporary Art in Algeria and BJCEM(Italy), Instants Vidéo Numériques et Poétiques festival(france), AlArd Festival (Cagliari (It)), Festival International d'Art Vidéo(Casablanca), Video Art Miden (Greece), In-sonora (Spain) and Now and after (Russia). She has worked on art projects within national and international residencies such LEVARE & BATTERE and Sulcis HUB in Italy, French Institute in Morocco and in Bolivia with Kiosko Air. Ramia took part of Time is love #8 video art program where her work has been shown in several countries (USA/JAPAN/Holland/Paris..)

waiting for godot to bless me (the offerings),ramia beladel's performance copie.jpg
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